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A compact 144 tile set in white melamine with engraved faces at 22 mm, light enough to carry and cut to outlast printing.
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Flat $9.95 shipping · 30-day returns from delivery
Travel mahjong sets cluster at 20 mm and at 26 mm. This one sits at 22, which sounds like splitting hairs and is not.
At 20 mm, a set is genuinely pocketable and genuinely hard to read across a table. At 26 it is comfortable and no longer fits a small bag. 22 keeps most of the portability and gives back a noticeable amount of face, which is where the character has to fit.
Small tiles are usually printed, because engraving a face this size is slow work. The consequence shows up in year two: printed markings thin where thumbs rest, and they thin unevenly, so the tiles handled most become the hardest to read.
Engraving cuts the character into the tile and lays colour into the cut. The wearing surface is the melamine around the marking. A set made this way is as legible in a decade as it is now.
Mini sets often drop to a lighter plastic to save weight, and the tiles end up feeling like counters. Melamine holds its density, so even at 22 mm the tile has a small weight in the hand and a proper click on the table.
144 tiles, 3 suits, winds, dragons, flowers and seasons. No jokers, so this is the Chinese game rather than the American one.
Barely damp cloth. Count the tiles back in at the end of every session.
| Tiles | 144 |
|---|---|
| Tile size | 22 mm |
| Material | Melamine |
| Colour | White |
| Finish | Engraved |
| Weight | 1.2 kg (2.6 lb) |
| Age | 14 and over |
Orders are processed within 1 to 2 business days, with tracking on every parcel. Delivery across the United States takes 10 to 25 days and costs $9.95, one flat rate charged once per order whatever the number of items.
Changed your mind? You have 30 days from delivery to request a return, unused and in its original packaging. Approved refunds go back to your original payment method within 3 business days.
Play tonight
Tiles, and everything the case holds, in one box. Unwrap it, deal a hand, and your table is running.
The sound alone
Shuffling a real set is half the pleasure. Weight in your hand, that clack across the table: you can hear it before you see it.
Yours for twenty years
A set outlasts the group it started with. Choose one you'll still want on the table when someone else is dealing.
One with traditional faces, because every book, app and video a beginner will use shows those. A decorative set makes the learner translate twice. After that, engraved beats printed, since a beginner handles tiles constantly while learning and printing is what wears first. White at 22 mm, as here, keeps the reading familiar without committing to a full sized set.
Jokers, count and size. The Chinese set stops at 144 and has no jokers; the American set adds them and runs higher, with tiles cut larger to suit racks. The scoring traditions differ as much as the boxes do. A Chinese set will not play an American card, which is the practical consequence to be clear about before buying either one.
As a new purchase, it tracks tile size, material and finish, and a compact engraved set sits well below a full sized carved one. As a resale, considerably less, because a used set is only worth something if it is complete. That is the argument for engraving on a set you intend to keep: printed faces fade, and a faded set has no second life at all.
Authentic is doing two jobs in that question. If it means traditional faces and the full 144 count, that is a specification you can check on any listing, and this set meets it. If it means old, then you are in the antiques market, where completeness and the original case decide value. The two searches lead to different sellers and very different prices.
A mahjong set is handled more than almost anything else in the house: every tile passes through four pairs of hands, several times a game.
That is what we select for. Tiles that read clearly from the far side of the table, edges that stay clean, and a case that still closes after a few seasons of being carried around.
Sets differ in ways that only show at the table: the weight of a tile in the hand, how a crak reads from three seats away, whether the case survives the trip to a friend’s house.
When we have the figures, we publish them: tile count, tile size, weight and material. When we do not have one, we leave it out rather than guess.
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